Clips

Explore What’s New New! Recent Photos Trending Events The Commons Flickr Galleries World Map Camera Finder Flickr Blog Prints The Print Shop Prints & Wall Art Photo Books Get Pro Pro Plans Stats Dashboard Get Auto-Uploadr Log In Sign Up Log In Explore What’s New New! Trending Events The Commons Flickr Galleries Flickr Blog The Print Shop Prints & Wall Art Photo Books Get Pro About Jobs Blog Advertise Developers Guidelines Help Privacy Terms Cookies English You seem to be using an unsupported browser.Please update to get the most out of Flickr. Back to albums list Download read more read less by Laine Pub Company Pump Clips From Laine Brewing read more read less 51 photos · 12 views Laine Brewing Pump Clips Laine Brewing Pump Clips Laine Brewing Pump Clips Laine Brewing Pump Clips Laine Brewing Pump Clips Laine Brewing Pump Clips Laine Brewing Pump Clips Laine Brewing Pump Clips Laine Brewing Pump Clips Laine Brewing Pump Clips Laine Brewing Pump Clips Laine Brewing Pump Clips Laine Brewing Pump Clips Laine Brewing Pump Clips Laine Brewing Pump Clips Laine Brewing Pump Clips Laine Brewing Pump Clips Laine Brewing Pump Clips Laine Brewing Pump Clips Laine Brewing Pump Clips Laine Brewing Pump Clips Laine Brewing Pump Clips Laine Brewing Pump Clips Laine Brewing Pump Clips

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Media An offline clip is either a clipthat has been unlinked from its source file, or a logged clip thatyou still have to capture. Offline clips contain information about thesource files they represent, and they give you flexibility whenactual files are not available. If an offline clip appears in aTimeline panel, “Media Offline” appears in the Program Monitor andin the track. When you log clips from a tape, Premiere Proautomatically creates offline clips containing the exact informationrequired to capture the clips later. You can also create offlineclips manually. Use offline clips in situations such as the following: Clips are logged but not yet captured. Because offline clips behave like captured clips, you can organize the logged offline clips in the Project panel. You can even lay out sequences with them in a Timeline panel before the offline clips are captured. When the offline clips are captured (or located, if they are already captured but missing), they replace the corresponding offline clips. You want to capture logged clips using device control or batch capturing. In Premiere Pro, a batch-capture list is a set of offline clips; selecting specific offline clips sets them up for batch capturing. You want to recapture clips used in the project. Recapturing clips requires making the online clips offline by using the Make Offline command. A source file is unavailable when you open a project, so that Premiere Pro can’t locate it automatically and you can’t locate it manually. Premiere Pro provides Offline and Offline All buttons in this case. Online and offline clips in Premiere Pro are not related to the concepts of online and offline editing. Create an offline clip You can create an offline clip, that is, aplaceholder clip for footage you capture later. In the Project panel, click the New Item button atthe bottom of the panel and choose Offline File from the menu. The Offline File dialog box opens. For Contains, select whether you want to capture Video,Audio, or Audio And Video from the source footage. For Audio Format, select the format that matches theaudio format of your source footage: Mono, Stereo, or 5.1. For Tape Name, type the name of the tape containing thesource video for the offline clip. For File Name, type the name of the file as you wantit to appear on disk when you capture it using Premiere Pro. Ifyou’re creating an offline clip for a source file

The Offset Audio by option. For the audio-only clip, you can enter video frames in the range of -100 to +100 for the sync offset. Move Source Clips to Processed Clips bin: Select this option to move the generated source clips to a Processed Clips bin. If a Processed Clips bin does not exist, Premiere Pro creates one before moving the clips into it. Clips not meeting the synchronization criteria are left outside the Processed Clips bin. This option makes it easy to identify clips not used in the resulting multicam source sequence. Choose audio sequence settings.Camera 1: Select Camera 1 when only the audio from Camera 1 is used in the editing sequence. Multicam editing is enabled for only the video portion of the source sequence.If you use A/V clips to create this sequence, the audio tracks for all audio associated with video 1 are unmuted. Other audio in the source sequence is muted.If you use audio-only clips with video or A/V clips, the audio-only clips are placed in the topmost tracks and are unmuted. Other audio (from linked clips) is muted and placed in lower tracks. Each track's channel assignments and panning are set to transfer each source channel to independent output channels (up to 32). The number of unmuted channels of source audio determines the number of active output channels of the sequence.Note: You cannot use the audio follows video option in editing sequences created with this setting, because the audio portion is not multicam-enabled.All Cameras: Select All Cameras to use all audio channels in the source clips. This setting is similar to the Camera 1 setting. Only the video portion of the source sequence is multicam-enabled. Audio-follows-video is not supported for this setting. All audio is unmuted (up to 32 channels). The number of unmuted channels